What the studio makes.
Four services · Booking from January 2027
Every job starts with a call and a color script. Prices are for the finished film, from the first board to the last delivered file, in every format you need.
Four services, one desk.
Hover a service to see a frame from a job like it. Every price includes two rounds of styleframes and one round of changes on the final.
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01
Title sequences
Openings and end titles for festivals, events, and films. Built from a color script, timed to the music.
- Treatment and color script
- Storyboard and animatic
- DCP and web masters
- Cut-downs for lobby screens and phones
From $12,000
See Nightwater, Title sequences
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02
Brand loops
Seamless loops and motion systems for brands, labels, and apps. Built to play for an hour without anyone seeing the seam.
- Five to ten loops
- 16:9, 9:16, 4:5, and 1:1
- ProRes, H.264, and Lottie
- Source files on request
From $4,500
See Slowlight, Brand loops
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03
Product renders
Launch films and stills for physical products, from your CAD files or a scan. Real materials, real light.
- Look development
- Launch film up to 60 seconds
- 20 stills at print size
- Cut-downs for social
From $6,000
See Ostrane, Product renders
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04
Music visuals
Visualizers, stage loops, and sleeve art, built from the stems so the picture moves with the song.
- One visualizer per single
- Stage loops for the tour
- Square sleeve stills
From $3,500
See Halflife, Music visuals
How a job runs.
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Step 01
A call and a color script
Thirty minutes on the phone, then a strip of colors, one per beat. Nothing moves until we agree on it.
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Step 02
Styleframes and a board
Three still frames that show the look, and a board that shows the timing. Two rounds of changes.
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Step 03
Animation and render
The film is built, lit, and rendered here. You get a check-in every Friday, with frames, not promises.
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Step 04
Delivery in every format
Every cut-down comes from the same render, so the phone version is as good as the cinema one.
Eight weeks, brief to delivery.
A typical title sequence-
Brief and color script
Week 1
The call, the references, and one strip of color.
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Styleframes
Weeks 2 to 3
Three frames, two rounds of changes.
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Board and animatic
Weeks 3 to 4
Timing locked to the music.
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Animation and simulation
Weeks 4 to 6
The longest part, with a check-in every Friday.
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Render and compositing
Weeks 6 to 7
Overnight renders, morning checks.
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Sound and delivery
Week 8
Final mix and every format, from one render.
Three ways to work together.
Prices in US dollars, before tax. Usage for the web and social is included. Broadcast and cinema usage is quoted with the job.
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Loop pack
$4,500 per pack
- Five seamless loops
- Four aspect ratios
- Two rounds of styleframes
- Delivery in three weeks
The usual start for a new brand.
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Title sequence Usual choice
$12,000 per sequence
- Up to 120 seconds
- Color script and board
- Original sound by Iris Mallow
- DCP, web, and phone masters
- Delivery in eight weeks
Two slots left for 2027.
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Studio retainer
$6,800 per month
- Eight studio days a month
- Loops, stills, and edits
- First call on new slots
- Three-month minimum
For brands with a steady need.
One render, every screen.
What you get, by where it playsCinema Festivals, events, and the big screen
A DCP for the projection booth, a 4K master with a stereo and a 5.1 mix, and a version with a few seconds of black at each end, because projectionists ask for it.
Phones Social and phones
Every film is composed so it can be cut to 9:16 and 4:5 from the same render, with titles moved, not cropped. Loops come as files that play without a visible jump on every platform.
Screens Shops, lobbies, and stages
Long loops for tall shop screens, LED walls, and stage backdrops, at the exact pixel size of the wall. If the screen is odd, the render is odd too.
Before the first call.
The questions clients ask most. If yours is not here, ask it in the brief.
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How far ahead do you book?
Usually eight to twelve weeks for a title sequence and three to four weeks for a loop pack. The availability strip on the contact page shows the open months.
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Do you work with agencies?
Yes. About half of the work comes through agencies. Noa can be credited as the studio or work under the agency name.
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Can you start from our CAD files?
Yes, for product renders. Send STEP or OBJ files. If there are no files, a scan or a set of measured photos works too.
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Who owns the files at the end?
You own the finished films and stills. Project files are included in the price on request, except for the studio light rigs, which are licensed with them.
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What if the job is too big for one person?
Then Noa says so on the first call, and either brings in two trusted freelancers or recommends a larger studio. You will not find out halfway through.