Five cases, start to finish.
All work-
Slowlight Idents
Six ten-second loops for a label that releases slow music. Client Slowlight Records Type Brand loop Year 2026 Length 00:10 Read the case -
Kova Knit
Cloth simulation for a shoe made of one thread. Client Kova Footwear Type Product render Year 2024 Length 00:20 Read the case -
Tessel Brand System
A motion system for a bank made of small, stacked parts. Client Tessel Type Brand loop Year 2023 Length 00:08 Read the case -
Soft Light
Pastel loops for a skincare line that does not shout. Client Mirel Skincare Type Brand loop Year 2025 Length 00:30 Read the case -
Halflife Visuals
Four tracks, four rooms of colored dark. Client Paper Comet Records Type Music visuals Year 2024 Length 04:12 Read the case
In the clients' words.
Four launches, four clients-
“We sent one scan of the knit. Noa sent back six materials, and every one looked heavy enough to wear.”
Lio Bastien Marketing lead · Kova Footwear -
“The loops were composed for our tall shop screens first. That one choice made the whole campaign.”
Odile Varenne Creative director · Mirel Skincare -
“The bass moves one shape and the voice moves another. It feels like the record is breathing.”
Wren Adair Musician · Paper Comet Records -
“Not one lens in the whole film, and the new set sold out in a week.”
Jun Halvorsen Brand lead · Ostrane Optics
How the lens chain was lit
Ostrane Lens Launch · Hero frame
-
01 The first discs
Real dispersion, set for each type of glass. The color comes from the material, not from compositing.
-
02 The thin edge
One disc turns edge-on to the camera, so the chain reads as a line of real objects and not a pattern.
-
03 The empty black
No floor and no backdrop. Only the glass gives light back, so nothing competes with it.
-
04 The rim light
A long soft box behind the chain draws the bright edge on every disc.
Three briefs, three answers.
What was asked, and what was made-
Kova Knit · 2024
A shoe made of one thread
Read the caseThe brief asked for a launch film. Noa made six cloth simulations instead and kept the shoe for the last frame of the campaign.
-
Tessel · 2023
A system, not a film
Read the caseTessel needed motion its own team could extend. The answer was a kit of blocks and two rules: never fall, only stack and slide.
-
Halflife · 2024
Pictures that follow the stems
Read the caseFour visualizers, one for each single. The bass moves one form and the voice moves another, so the picture keeps time with the song.
Kova Knit 06 Materials · One simulation each
The cloth runs at its real weight. When a fold looked too light, Noa made the fabric heavier, not the camera slower.
- Solver
- Houdini Vellum
- Render
- Redshift, 1,024 samples
- Frames
- 480 for each material
Every project, in one table.
Open the archive| Year | Title | Role | Format | Length |
|---|---|---|---|---|
| 2026 | Nightwater Opening Titles | Title sequence | 4K DCP and 16:9 web master | 01:48 |
| 2026 | Slowlight Idents | Brand loop | 16:9 and 9:16 loops, ProRes and H.264 | 00:10 |
| 2026 | Field Lines | Personal | 4K loops | 01:00 |
| 2025 | Quiet Rooms | Architecture | 4K, 24 fps | 02:10 |
| 2025 | Ostrane Lens Launch | Product render | 4K film, 20 stills | 00:45 |
| 2025 | Soft Light | Brand loop | 9:16, 4:5, and 16:9 loops | 00:30 |
| 2024 | Halflife Visuals | Music visuals | 4K visualizers, square sleeve art | 04:12 |
| 2024 | Kova Knit | Product render | 4:5 and 9:16 loops, web banners | 00:20 |
| 2024 | Soft Bodies | Personal | 4K loops and prints | 00:40 |
| 2023 | Tessel Brand System | Brand loop | Loop library, Lottie, and source files | 00:08 |