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Four kinds of work.

Pick a reel

Titles Opening titles for festivals

Ninety seconds or less, timed to the music and built from a color script. Every title sequence comes with a cut for the lobby screens and one for phones.

See the Nightwater titles
Fine gold and violet threads crossing in two wide loops on black.

Loops Seamless loops for brands

Short loops that play for an hour without a visible jump, in four aspect ratios from one render.

See the Slowlight idents
Soft dark teal curves layered like dunes on black.

Renders Product renders and launch films

Real materials and real light, from your CAD files or a scan. The stills print at poster size.

See the Ostrane launch
Overlapping violet and white glass curves, like the edge of a lens.

Spaces Rooms that do not exist yet

Architecture films lit by the real sun path of the site, so the light on screen is the light on opening day.

See Quiet Rooms
A dark room with an arched window full of clouds and a low bench in the light.

Selects from the Friday studies

Roll 06 · Field Lines · Stills pass
  • A bloom of pink and violet smoke on black.
    02 Bloom Rule: avoid
  • A glowing pink sphere made of fine curved strands on black.
    03 Sphere Rule: orbit
  • A loose cloud of violet particles spreading on black.
    04 Cloud Rule: drift
  • Long blue and pink spikes fanning out from a low center.
    05 Fan Rule: repel
Four studies from one roll. One went on to paid work. Circled: the sphere, now a stage visual.
A thick arc of pink and orange light strands bending out of the dark.

The last frame before the festival mark.

The arc that closes the Nightwater titles. Noa Calder · Houdini and Redshift

Packed for a render week.

What a typical job uses
  1. Case 01

    Build

    3 items
    • Houdini Particles, cloth
    • Blender Rooms, stills
    • Cinema 4D Loop systems
  2. Case 02

    Light

    3 items
    • Key and rim The first rig
    • Sky maps One per hour
    • Light rigs Also in the shop
  3. Case 03

    Delivery

    3 items
    • After Effects Titles
    • Resolve The final grade
    • Checklist Twelve formats
A tall cluster of black, white, and orange spheres floating on gray.

Noa Calder (they/them) worked in stage lighting before they ever opened a 3D app.

That is why every scene in the studio is lit from real sources. A lamp, a window, a sky, and nothing that glows without a reason.

Today Noa makes title sequences, loops, and launch renders for labels, festivals, and brands, from one desk at Harbor Works in Port Sable.

The full story

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