Noa started with music videos for friends' bands in 2017, rendered on a laptop that had to cool down between frames. The studio opened in 2019.
Before 3D, Noa studied stage lighting, and it still shows: every scene is lit from real sources, and nothing glows without a reason. The work moved from bands to labels, then to festivals and brands that wanted motion with the same care as a set.
The studio is one person on purpose. Noa writes the treatment, builds the scene, lights it, animates it, and delivers it, and brings in Iris Mallow for sound. Friday afternoons are kept free for personal studies, which is where most of the paid work starts.
On light
I light a render the way a stage is lit. One source at a time, each with a job, and nothing that glows without a reason. If a client can feel the room, they will believe the object. If they can believe the object, they will remember the brand.
Nine years of moving things.
-
2017
The first loop
A ten-second visual for a friend's band, rendered overnight on a laptop.
-
2019
The studio opens
One room, two machines, and a first label client: Paper Comet Records.
-
2021
First festival
Stage visuals for Nightwater, five years before the titles.
-
2023
A system, not a film
The Tessel motion kit, still in use by their in-house team.
-
2025
A building that does not exist
Quiet Rooms for Fenwick Lowe, lit by the real sun path of the site.
-
2026
Opening titles
Ninety seconds of light to open the Nightwater Festival.
Where the needle sits.
Tools, out of 100-
Houdini
Simulation, particles, and anything that needs a rule.
-
Blender
Architecture, look development, and most stills.
-
Cinema 4D
Brand loops and motion systems.
-
After Effects
Compositing, titles, and every delivery.
-
Sound design
Enough to cut a temp track. Iris does the real thing.
What runs the studio.
Owner-operated, one desk-
Case 01
Software
4 items- Houdini Simulation and particles
- Blender Scenes, lighting, Cycles
- Cinema 4D Loops and systems
- After Effects Compositing and titles
-
Case 02
Render
3 items- Two workstations Four GPUs between them
- Redshift Fast previews and finals
- Overnight queue Every frame checked at 7:00
-
Case 03
Desk
3 items- Calibrated monitor Checked every Monday
- Pen tablet Boards and color scripts
- A paper notebook Every job starts here
Nice things said by juries.
-
Winner Best Title Sequence Kestrel Motion Awards 2026
-
Gold Brand Loop System Northfold Design Prize 2024
-
Selection Field Lines Parallax Screen Festival 2026
-
Shortlist Architectural Film Plinth Visual Awards 2025
In print.
Reviews and features-
5 out of 5 stars
Light you can believe.
The Nightwater titles do something rare: every streak of light has a source, and you can feel it.
Frame Rate Weekly Lena Osk -
4.5 out of 5 stars
A studio of one, at full scale.
Calder works alone and it does not show, except in how consistent every frame is.
Render Quarterly Tobias Ferrant -
4 out of 5 stars
Quiet, and better for it.
Quiet Rooms sells a building by showing almost nothing. It works.
Plan and Section Maud Arlen -
The loop, perfected.
You will not find the seam. We tried for ten minutes.
Motion Notes Kai Brandt