Book by the job, or by the day.
Each service has a starting price. The day rate is for agencies that need an extra pair of hands on their own files.
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01
Title sequences
Openings and end titles, timed to the music and built from a color script.
- Color script and board
- DCP, web, and phone masters
- Two rounds of changes
From $12,000
See an example, Title sequences
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02
Loop packs
Five seamless loops for a brand, a label, or an app.
- Five loops, ten seconds each
- Four aspect ratios
- Delivery in three weeks
From $4,500
See an example, Loop packs
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03
Launch renders
A short film and print stills for a new product, from your CAD files or a scan.
- Look development
- Up to 60 seconds of film
- 20 stills at print size
From $6,000
See an example, Launch renders
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04
Studio days
Noa joins your team for a day or a week, on your files and your schedule.
- Remote or on site
- Houdini, Blender, Cinema 4D, After Effects
- Booked in whole days
From $850 a day
Ask for dates, Studio days
How the skills stack up.
Self-rated, out of 100-
Lighting
Real sources only. Every glow has a lamp behind it.
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Look development
Glass, chrome, knit, and plaster that hold up at 4K.
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Simulation
Cloth, fluid, and particles in Houdini.
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Type in motion
Titles that read on a cinema screen and on a phone.
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Character animation
Not a service. Noa will gladly recommend someone who does it well.
From the first loop to full-time.
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2017
Videos for friends
Music videos for local bands, rendered on a laptop that had to rest between frames.
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2019
Going freelance
The studio opens at Harbor Works in Port Sable, with one desk and two machines.
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2022
The first agency job
A loop pack for Brisk Atlas Travel, booked through an agency and delivered in three weeks.
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2024
A gold for a system
The Tessel loop system wins gold at the Northfold Design Prize.
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2026
Booked into 2027
The Nightwater titles open the festival, and the calendar fills up to January.
Producers who booked again.
Repeat clients-
“Noa told us on the first call what would not fit in the budget. Everything else arrived early.”
Tomas Elling Producer · Nightwater Festival -
“We booked four studio days and left with a system our own team still builds on.”
Priya Lund Head of brand · Tessel -
“Every Friday we got frames, not a status report. That is why we came back for the next season of idents.”
Mara Quist Label manager · Slowlight Records