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One morning in the fox hide

Quiet Animals · Roll 41 · January, 09:10 to 10:20
  • A red fox walking through deep snow at the edge of a snowy forest.
    11 Out of the trees 1/800 s · 400 mm
  • A red fox standing on snow, lit by low winter sun against a blue background.
    12 Low sun, one ear up 1/1000 s · 400 mm
  • A red fox curled up asleep in the snow, with one eye open.
    13 Asleep, too soon 1/250 s · 400 mm
  • A red squirrel with tufted ears crouching on a black background.
    14 A visitor at the feeder 1/500 s · 300 mm
Four frames from one roll, a little over an hour apart. Frame 12 became Quiet Animals, No. 1

A good roll has one frame on it. I go through every contact sheet with a loupe and a red pencil, and most weeks the pencil stays clean.

  • About 40,000 frames a year
  • One select in two hundred
  • Every select proofed by hand
See the finished series
The bright core of the Milky Way standing above a rocky mountain ridge.
Proof 03 The ridge, first proof on cotton rag

Proof box 02 Proofs on the light table

An orange full moon laying a path of light across a dark, flat sea.
Proof 07 The moon path, on warmer baryta
Printer’s note

The first proof of the moon was too cold. On the warmer paper it finally looked like the night I saw.

Paper
Satin baryta, 310 gsm
Proofs
Three rounds
Size
30 × 40 cm
Edition
Of 20

From the roll to the wall.

  1. Step 01

    Edit

    I mark the contact sheets in red and keep one frame from each roll. The rest go to the archive, with a note about the weather.

  2. Step 02

    Proof

    Small proofs on the final paper, checked by the north window in the morning and under a warm bulb at night.

  3. Step 03

    Ship

    Each print is signed, numbered, and packed flat between two boards, in a box strong enough to stand on.

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