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Three white magnolia flowers laid on a green velvet cloth.
SC 04 / 12 Series of 3 works · Oil on linen and panel

Velvet and Silk

Harrow Street Gallery · Still life · 2026
Medium
Oil, in layers
Support
Linen and oak panel
Sizes
50 × 70 cm to 70 × 100 cm
Painted
January to April 2026
Shown at
Harrow Street Gallery
Available
Magnolias on Green Cloth

The Port Ellery theater cleared out its wardrobe in January. I came home with a green velvet cloth, a blue silk curtain, and three new paintings.

Cloth is the hardest thing on a still life table. It folds differently every time you touch it, so I pin it to a board and never touch it again.

The magnolias came from a tree behind the library. The garland was built over two weeks, one flower at a time, as each one came into season in a friend’s greenhouse.

The shells in Basket with Shells came from the beach below the studio. They are the only things in the series that did not change while I painted them.

Three white magnolia flowers laid on a green velvet cloth.
Pl. 01 Magnolias on Green Cloth · 50 × 90 cm

Plates 03 Velvet and Silk · 2026

A basket of roses and tulips on a ledge with seashells laid out in front.
Pl. 02 Basket with Shells · 50 × 70 cm
Palette notes

Velvet drinks light and silk throws it back. The velvet is painted in thin, dark glazes. The silk is one thick stroke of pale blue for each fold, laid down once.

Cloth
From a theater wardrobe
Pins
About forty, all hidden
A basket of roses and tulips on a ledge with seashells laid out in front.
Basket with Shells Oil · 50 × 70 cm · 2026

“That curtain hung in our theater for thirty years. It has never looked this good.”

Wardrobe mistress, Port Ellery Theater

One painter, one studio, velvet and silk.

Full credits

Behind the series

Painted by
Odile Marrow
Velvet and silk
Port Ellery Theater wardrobe
Greenhouse
June Abara
Photography of the works
Mira Castell
Shown by
Harrow Street Gallery

And forty pins that nobody can see.

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