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A painter on the north coast.

About · Wrenhaven

Odile Marrow paints in oil from a studio above the harbor. She has shown with galleries on the coast and inland since 2022.

A night train window looks out on a moonlit lake and the lights of a small town.

I grew up inland and saw the sea for the first time at nineteen. I have been trying to paint it ever since.

I studied painting for three years and then worked in a frame shop for five, which taught me more about pictures than school did. In 2021 I rented the top floor of an old net loft on the harbor at Wrenhaven, and I have painted there every day since.

I paint the coast in winter, the marsh in the fall, and the table by the north window when it rains. Most of my paintings start outside, as small boards, and are finished in the studio the same day.

I show with North Quay Gallery and Harrow Street Gallery, take a few commissions each year, and teach two summer workshops in the loft.

Ask about a commission

On painting

I paint what the weather does to a place, and then I take half of it away. A painting is finished when there is nothing left to remove. Most days that takes longer than the painting did. Some days the best brush in the studio is the rag.

Odile Marrow, Wrenhaven, 2026

Three habits at the easel.

  1. 01

    Look longer than you paint

    I spend the first hour of every painting just looking. No brush in my hand. It is the cheapest hour of the day and the one that saves the most paint.

  2. 02

    Start outside, finish inside

    A small board on site gives me the true colors. The canvas in the studio gives me time. I need both, and on the same day.

  3. 03

    Stop one stroke early

    The last stroke is almost always one too many. When I think I need one more, I clean the brushes and come back the next morning.

Twelve years with a brush.

2014 to 2026 See every series
  1. 2014

    Art school, inland

    Three years of drawing plaster casts and one teacher who said to paint less and look more.

  2. 2017

    The frame shop

    Five years cutting mats and joining frames, and looking closely at other people's paintings every day.

  3. 2021

    A grove of old twisted oaks with thick roots in brown autumn light.

    The net loft

    Rented the top floor of an old fishing shed on the harbor at Wrenhaven. Painted the wood above the town.

  4. 2022

    A gray rock ledge rises among birch and pine in a deep wood.

    First show

    The Old Wood at Wrenhaven Arts Center. All three paintings sold.

  5. 2023

    Waterfalls fall from tall cliffs into a mountain lake under a bright storm sky.

    Mountain residency

    Three weeks above the tree line with the Fellside Museum of Art.

  6. 2025

    Moonlight lies in a bright path across waves breaking on black rocks.

    Coastal Painting Prize

    Won at the Fellside Open for Moon Study, Low Tide.

  7. 2026

    Gray waves break over dark rocks below a low, heavy sky.

    Storm Coast

    Five storm paintings at North Quay Gallery, and a catalog of four years of work.

What lives in the studio.

Materials, drawer by drawer
  1. Case 01

    Paint box

    5 items
    • Titanium white Bought by the big tube
    • Ultramarine blue Every gray starts here
    • Burnt sienna Warms the grays
    • Yellow ochre For sand and skin
    • Alizarin crimson For roses and dusk
  2. Case 02

    Brush jar

    4 items
    • Hog bristle filberts Sizes 8 to 14
    • Sable rounds For petals and rigging
    • Palette knife Long trowel, for foam
    • One soft rag The best brush I own
  3. Case 03

    Field bag

    3 items
    • Pochade box Holds six colors and a board
    • Primed boards 18 × 24 cm, a dozen at a time
    • Rubber boots For the marsh

What the papers said.

Reviews, 2022 to 2026
  • 5 out of 5 stars

    You can hear these paintings.

    Storm Coast is loud in the best way. Stand in front of No. 1 and you will reach for your coat.

    The Coastal Review Paul Ferrand
  • 4.5 out of 5 stars

    The best nocturnes in years.

    She paints the dark as carefully as the light, which almost nobody does.

    Northern Arts Weekly Jo Amberley
  • 4 out of 5 stars

    You want to take a peach.

    Table Pieces is the most generous still life show I have seen this year.

    Harbor Times Clem Dacre
  • 4.5 out of 5 stars

    Half the town went to the marsh.

    Marsh Light made us look again at a place we walk past every day.

    Wrenhaven Courier Ruth Abernathy
  • 4 out of 5 stars

    She already knows when to stop.

    A first show with no wasted canvas in it.

    Fellside Post Owen Strand

Where the work hangs.

Exhibitions, coming and past
  1. Open Studio Weekend

    New small panels and prints

    The Net Loft Wrenhaven

    Free entry
  2. Winter Open

    Group show, two paintings

    Fellside Museum of Art Fellside

    Free entry
  3. Tide and Table

    Solo show, four years of work

    Lantern House Gallery Port Ellery

  4. Cut Flowers

    Solo show

    Harrow Street Gallery Port Ellery

    Past
  5. Storm Coast

    Solo show

    North Quay Gallery Wrenhaven

    Past
  6. Moon Studies

    Solo show

    Lantern House Gallery Port Ellery

    Past

Galleries and collections.

08 names · 2022 to 2026
  • North Quay Gallery
  • Harrow Street Gallery
  • Lantern House Gallery
  • Fellside Museum of Art
  • Wrenhaven Arts Center
  • The Corbel Hotel
  • Port Ellery Library
  • Coldharbor Farm

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